today the recording "Chernobyl.Harvest" with Kronos Quartet was released on the album "Forgive us for" Phenotypic Recordings well - as if I lived for a reason... thanks to everyone who supported and trusted! especially to my dearest André Erlen. To dear Shira Cion Janet Kutulas and Peter, Elena Park....to all you, beloved people....
https://phenotypicrecordings.bandcamp.com/track/chernobyl-the-harvest-i-doroha-the-road
I remember when I first heard the recordings of music performed by KRONOS QUARTET. It seemed to me then that these were some unattainable gods… I listened to the recordings again and again „until the holes“…. could I have imagined that the day would come when the new KRONOS QUARTET Album “forgive us for” with my composition “Chernobyl. Harvest” would be released? This day is December 5! I am happy to share with you the press release.
GRAMMY-WINNING KRONOS QUARTET CONFIRMS ANTICIPATED NEW ALBUM
FORGIVE US FOR SET FOR DECEMBER 5
VIA PHENOTYPIC RECORDINGS
COLLECTION BUILDS ON KRONOS’
LEGACY OF GLOBAL COLLABORATION AND SPIRIT
OF SOCIAL ACTIVISM
HEAR ICELANDIC COMPOSER HILDUR GUÐNADÓTTIR’S “FÓLK FÆR ANDLIT” TODAY HERE
November 14, 2025—The pioneering, GRAMMY award-winning Kronos Quartet today confirms a new album, Forgive Us For set for release via —pre-order/pre-save . The second single from the project, a rendition of Icelandic composer Hildur Guðnadóttir’s “Fólk fær andlit,” is available today—listen/share here.
Originally composed for cello (played by Guðnadóttir) and a polyphony of voices that repeatedly intone the Icelandic words miskun (mercy) and fyrirgefið okkur fyrir (forgive us for), Kronos reimagines “Fólk fær andlit” (“People Get Faces”) through their ever-forward thinking string quartet arrangement. The piece recounts a harrowing 2015 episode which saw the Icelandic government deport a group of Albanian families—including one with a critically ill child—in the middle of the night. Kronos renders the haunting vocal lines with sacred presence and solemnity.
On the track, founding first violinist David Harrington shares, “When I first heard Hildur’s piece, I actually thought she wrote it especially for Kronos. It just felt like a perfect extension of our work sonically. Once you hear Fólk fær andlit you can't get it out of your imagination. I've always been attracted to music like that, which has an iconic sensibility. What we discovered in the recording was that we could color each layer infinitely.”
Expanding the group’s legacy of global collaboration and spirit of social activism, Forgive Us For addresses some of the most urgent crises and troubles worldwide. The first single, “Ya Taali'een el-Jabal” (“Oh, You Who Are Climbing Up the Mountain”), landed in October; performed by the late Palestinian singer Rim Banna (1966-2018), in an arrangement by Jonathan Berger, the piece emulates the Palestinian women who have traditionally sung the folk song to their imprisoned husbands to convey messages of freedom and liberation. Banna, who died from cancer in 2018, dedicated it to Palestinian political prisoners held in Israeli jails.
Also found in the collection is Ukrainian singer Mariana Sadovska’s “Chernobyl. The Harvest,” dedicated to the previous occupants of the now uninhabitable cities and villages abandoned after the 1986 nuclear reactor disaster. Based on harvest songs and other folk melodies that Sadovska gathered in Ukraine’s Polissia region, the song’s texts are intertwined with evacuation announcements from Chernobyl.
Unlike composers glossed as “nationalists” who typically draw on local folk music, history, myth, and legend to project uplifting sonic imagery of a nation’s heritage and collective identity, Guðnadóttir, Banna, and Sadovska call to witness voices that have been marginalized, ignored, or silenced. Though the three pieces are each bound to a place-specific trauma, their emotional force transcends borders, inviting listeners into a shared space of compassion.
Kronos cellist Paul Wiancko reflects, “There’s a unifying pain and struggle to these stories that are otherwise very different,” he explains. “They shed light on a part of humanity that we so deeply need to focus on in 2025 and beyond.”
The new album builds thematically on Kronos’ first release with Phenotypic Recordings, Mary Kouyoumdjian’s WITNESS, released in March 2025 to acclaim from NPR Music, The Strad, FLOOD and more. WITNESS combines testimonies of the composer's family, friends, and community impacted by the Lebanese Civil War and Armenian Genocide.
ABOUT KRONOS QUARTET
For more than 50 years, San Francisco’s Kronos Quartet—David Harrington (violin), Gabriela Díaz (violin), Ayane Kozasa (viola), and Paul Wiancko (cello)—has challenged and reimagined what a string quartet can be. Founded at a time when the form was largely centered on long-established, Western European traditions, Kronos has been at the forefront of revolutionizing the string quartet into a living art form that responds to the people and issues of our time. The group has received more than 40 awards, including three GRAMMY Awards and the Polar Music, Avery Fisher, and Edison Klassiek Oeuvre Prizes. In 2024, the Library of Congress announced its acquisition of the Archive of Kronos Quartet/Kronos Performing Arts Association, a collection that includes 50 years’ worth of manuscripts, instruments, costumes, video and audio recordings, photographs, and more, to be permanently housed in the Library’s Music Division alongside the storied histories of influential artists and composers from around the world.
ABOUT PHENOTYPIC RECORDINGS
Phenotypic Recordings brings to light new music by world-class musicians and innovative composers, with a focus on music that highlights the most important issues facing the world today. As another way of amplifying artistic voices, Pheno donates its revenue from streaming and downloads to support humanitarian causes identified by the artists making the music.
For more information, please contact This email address is being protected from spambots. You need JavaScript enabled to view it., This email address is being protected from spambots. You need JavaScript enabled to view it. or This email address is being protected from spambots. You need JavaScript enabled to view it. at Sacks & Co., 212.741.1000.
TRACK LIST
FORGIVE US FOR
1. Ya Taali'een el-Jabal
Traditional (Palestinian) arr. Jonathan Berger
Performed by Kronos Quartet featuring
the pre-recorded vocals of Rim Banna
2. Fólk fær andlit
Hildur Guðnadóttir arr. Kronos Quartet and Jeanne Velonis
Performed by Kronos Quartet
3. Chernobyl. The Harvest
Mariana Sadovska
I. Doroha. Дорога (The Road) dedicated to Ludmyla Ignatenko
II. Zhnyva. Жнива (The Harvest)
III. Platch. Плач (Lamentation)
IV. Rai. Рай (Paradise)
Performed by Kronos Quartet and
Mariana Sadovska, vocals & harmonium
kronosquartet.org
www.phenotypicrecordings.com
Thank you for the packed halls, for the applause, for the excitement, for the words of support and for the donations! We won't stop until we win!
Briefly about the last trip to Ukraine.
It all started with a charity concert with Mark Tokar at the Franko House as part of the Soundtrack of Freedom exhibition/ We raised 16,820 UAH and 70 euros for Mark Tokar's brigade. I "borrowed" the idea of the KWARTYRNYK by PEN UKRAINE and thanks for the spontaneous willingness to sing together and read poetry to Ia Kivi, Maria Oneschak, Sofia Lenter-Kisi. It made the evening truly unique
Thank you for all your gifts, for the poetry. For the hugs and reviews.
The very next day we started kneading the dough for a new performance at the dear Theater LESI And then in 4 hands - with Dmytro and Nina Zakhozhenky and Kostnyantyn Zorkin. This is pure happiness. I wonder what will come out! But the scenography is already there and it is cool
The third stop was the city of Dnipro and the premier of the Songlines of Ukraine project. THANK YOU to everyone thanks to whom everything happened, came true, team drom Dnipro Center for Contem,porary Culture: Maria Yarchuk, Maryna Prakhova, Olena Musiura, Marko Medvediej, OlyaVasylets ( all fotos are from Oleh Samojlov), Anya. Andriy, Lyosha, Olesya, Maksym, Alina, Dinara, thank you to RYS PLatform and the Musical Heritage of the Budjak Artem Tselikov and Kateryna Kapra, thank you to everyone who was able to join us Magdalena and Aurica from Krutoyarivka, Nikolay from Furmanivka, Anna, Violetta, Natalya, Panas and Ivan from Karakurt, Anna Ilinishna from Stary Troyany, as well as to everyone who so generously shared with us the singing, music, dances, and tradition of the Ukrainian Budjak in the villages of Tabaki, Vynohradivka, Burgudzhi, Utkonosivka, Faraonivka…. And also thanks to Andre, without whose support and advice I would not have pulled all this off and with whom we are simultaneously preparing the third audition of the festival of contemporary Ukrainian art Immer Wieder Aufbruch
I was returning to Cologne via Odessa - I had to wait for the bus somewhere and I decided to do it by the sea. It was a gentle, transparent and calm morning. I remembered our conversations, laughter, poems and with Kateryna Kalytko, Iryna Tsilyk, Pavlo Kazarin. Yaryna Thcornohus, Ostap Slyvynskuj, Alim Aliev, Andriy Khajetskyj,. And suddenly right next to us we meet with Oleksiy, who in Odessa is working on translations of dramas and poetry, which we will present at the festival… Coincidence? Pure LOVE!
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